DECO
Cod.
707.10
Color: GINKGO BILOBA
Designer: Napoleone Martinuzzi
Enhance your home decor with the timeless allure of our Murano glass vases.
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Napoleone Martinuzzi ACQUAMARINE
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Napoleone Martinuzzi BLACK
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Napoleone Martinuzzi GINKGO BILOBA
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Napoleone Martinuzzi PARAIBA
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Napoleone Martinuzzi MILK WHITE
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Napoleone Martinuzzi PARAIBA
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Napoleone Martinuzzi MINT GREEN
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Napoleone Martinuzzi ICEBERG
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Napoleone Martinuzzi ICEBERG, MILK WHITE
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Napoleone Martinuzzi PESCA
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Napoleone Martinuzzi GREY
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Napoleone Martinuzzi APPLE GREEN
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Napoleone Martinuzzi AMETHYST
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Napoleone Martinuzzi PURPLE
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Napoleone Martinuzzi PESCA, MILK WHITE
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Napoleone Martinuzzi RED
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Napoleone Martinuzzi SAPPHIRE
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Napoleone Martinuzzi MILK WHITE
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Napoleone Martinuzzi GRAPE
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Napoleone Martinuzzi MAGENTA
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+17
Color: GINKGO BILOBA
Designer: Napoleone Martinuzzi
Enhance your home decor with the timeless allure of our Murano glass vases.
Cod.
707.10
Rhythm: this is the word that defines the shape of the Deco series of vases.
The rings are repeated, one after another.
They increase, decrease, then increase again.
They seem to move like circles in the water with ripples and reflections.
This movement is a dance.
- Color GINKGO BILOBA
- MADE IN ITALY
- Processing Technique Blown, Opaline, Sandblasted
- Collection DECO
- Diameter 26,00 CM
- Year 1930
- Height 29 CM
- Ref. FO370707000H0BKU_c
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Designer
A sculptor, designer, and entrepreneur in the glassmaking industry, Napoleone Martinuzzi was trained at the Accademia di Belle Arti in Venice.
Gabriele D’Annunzio’s favourite, he started creating several works for the latter in 1917.
From 1922 to 1931, he directed the Glassmaking Museum in Murano. Then, he began working for the company Succ. Andrea Rioda and founded “Vetri Soffiati Muranesi Venini & C.” with Paolo Venini and Francesco Zecchin, where he became the artistic director.
After an initial period in which he continued working with the artistic concepts of his predecessor Vittorio Zecchin, creating beautiful pieces in hand-blown glass, he started elaborating his own style which derives from his experience as a sculptor.
In 1932, he left VENINI and founded “Zecchin-Martinuzzi Vetri Artistici e Mosaici” with Francesco Zecchin. Here, he created pieces in refined, matt and pulegoso glass with a remarkable plastic effect.