DECO
Cod.
707.10
Color: TEA GOLD leaf/STRAW-YELLOW inside
Designer: Napoleone Martinuzzi
Enhance your home decor with the timeless allure of our Murano glass vases.
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Napoleone Martinuzzi BLUE MARINE -
Napoleone Martinuzzi SAPPHIRE -
Napoleone Martinuzzi ACQUAMARINE -
Napoleone Martinuzzi MINT GREEN -
Napoleone Martinuzzi BLACK -
Napoleone Martinuzzi MAGENTA -
Napoleone Martinuzzi PESCA, MILK WHITE -
Napoleone Martinuzzi GREY -
Napoleone Martinuzzi GINKGO BILOBA -
Napoleone Martinuzzi PARAIBA -
Napoleone Martinuzzi AMETHYST -
Napoleone Martinuzzi GRAPE -
Napoleone Martinuzzi PARAIBA -
Napoleone Martinuzzi STRAW YELLOW -
Napoleone Martinuzzi GINKGO BILOBA -
Napoleone Martinuzzi PURPLE -
Napoleone Martinuzzi PESCA -
Napoleone Martinuzzi ICEBERG, MILK WHITE -
Napoleone Martinuzzi MILK WHITE -
Napoleone Martinuzzi ICEBERG -
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Color: TEA GOLD leaf/STRAW-YELLOW inside
Designer: Napoleone Martinuzzi
Enhance your home decor with the timeless allure of our Murano glass vases.
Cod.
707.10
On the occasion of Damiani’s centenary, VENINI presents a capsule collection that celebrates a century of history, mastery, creativity and passion. Each piece of the collection embodies the values that have always distinguished the work of Venini and Damiani.
The Deco, in a special “Venini for Damiani” edition, offer a sophisticated reinterpretation of the series designed in 1930 by Napoleone Martinuzzi.
These precious vases recall in the chromatic choice the brilliance and preciousness of gold, paying tribute to Damiani’s sublime goldsmithing art.
In the Tea color with Gold leaf and Pagliesco interior, they are characterized by fluid and concentric lines that seem to move like circles in the water.
These works still enchant today for their beauty and the perfect balance between aesthetics and functionality.
Designer
A sculptor, designer, and entrepreneur in the glassmaking industry, Napoleone Martinuzzi was trained at the Accademia di Belle Arti in Venice.
Gabriele D’Annunzio’s favourite, he started creating several works for the latter in 1917.
From 1922 to 1931, he directed the Glassmaking Museum in Murano. Then, he began working for the company Succ. Andrea Rioda and founded “Vetri Soffiati Muranesi Venini & C.” with Paolo Venini and Francesco Zecchin, where he became the artistic director.
After an initial period in which he continued working with the artistic concepts of his predecessor Vittorio Zecchin, creating beautiful pieces in hand-blown glass, he started elaborating his own style which derives from his experience as a sculptor.
In 1932, he left VENINI and founded “Zecchin-Martinuzzi Vetri Artistici e Mosaici” with Francesco Zecchin. Here, he created pieces in refined, matt and pulegoso glass with a remarkable plastic effect.
