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BATTUTI

    They like to be looked at, but then shy away from our gaze. Their appearance, at times hazy at times clear, is a veiled reality that piques the viewer’s curiosity. Showcased in two versions: one designed by Carlo Scarpa in 1940 and the other by Tobia Scarpa and Ludovico Diaz De Santilla in 1962.

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      • Carlo Scarpa

        BATTUTI

      • Carlo Scarpa

        BATTUTI

      Carlo Scarpa

      Graduated from the Accademia di Belle Arti in Venice, Carlo Scarpa dedicated himself to academic teaching in the same city, holding various positions until 1977.
      Scarpa asserted himself as a designer after the Second World War thanks to the creation of some important installations, particularly in Venice: the Paul Klee exhibition for the XXIV Biennale, the Pavilion of Art Books in 1950, and the Italian Pavilion at the XXVI Biennale.
      In 1932, he started working for VENINI and was the artistic director of the brand until 1946. After all these years, Carlo Scarpa left an indelible mark on the world of the Fornace (Kiln), due to his design of models that went down in history and his constant search for the most sophisticated techniques.